According to statistics, seventy percent of missing cases turn out to be homicides. The remaining thirty percent remain unsolved, casting a despair akin to a nuclear explosion upon families where nothing grows. Questions like ‘Who took away my child?’ and ‘Where have you really gone?’ echo with self-blame: ‘Is it my fault?’ The cycle of endless self-questioning and self-answering becomes a black hole.
While death only demands facing sadness, the phenomenon of going missing opens a realm of unanswered questions, leading to frustration, oppression, and even anger. Missing narrates the stories of those who pretend to lead normal lives amid such uncertainty.
根據統計,百分之七十的失蹤是謀殺案。剩餘百分之三十,沒有答案,卻給家屬帶來如核彈爆炸般的絕望,寸草不生。是誰帶走了我的孩子?你到底去了哪裡?是我的錯嗎?無止盡的自問自答,最終仍是黑洞。死亡只需面對悲傷,失蹤卻開啟了沒有答案的循環,鬱悶壓抑甚至憤怒。「失蹤」描述的就是這群假裝正常生活的人們的故事。