ONE HUNDRED REASONS TO KILL MY HUSBAND

We fall in love, get married, but end up losing love within the marriage.
我們戀愛結婚，卻在婚姻裡失戀。

The story adopts a dual storyline of “play within the play,” using the heroine’s rehearsal process for the stage play to correspond to the reality of married life. It explores marriage itself, presenting the current generation’s attachment and psychological state towards emotions. Marriage and romance are likened to a bowl of noodles, with variations between being delicious to the point of being impeccable and being malicious to the extent of needing to be vomited. A marriage that one might feel extremely dissatisfied with could be like heaven to someone else. This is a brand new text created against the backdrop of DENG Hui-wen’s book Hello Marriage Goodbye, Love.
故事採取「戲中戲」的雙線敘述，藉由女主排演舞台劇過程，對應現實的夫妻生活，去探討婚姻本身，呈現出現代人對於感情的依歸與心理狀態。婚姻與感情就像一碗麵，在好吃到無可挑剔與噁心到要吐掉之間，存有很大的變異空間。妳覺得極為不滿的婚姻，對某些人而言簡直就是天堂。以鄧惠文的同名書籍《婚內失戀》作為背景所創作的全新文本。