RESONANCE

Utilizing 35mm film and handcrafted paper-cutting as its primary media, Resonance draws on the perspective of media archaeology to reconsider the spectral origins of early audiovisual apparatuses. By transforming traditional Taiwanese ritual soundscapes into contemporary electronic forms, the work deliberately blurs the boundaries between matter, image, and spirituality in the digital age, summoning an audiovisual resonance that bridges technological rifts and overflows with intense somatic tactility and ritualistic presence.

A musician accidentally drifts into a ritualistic illusion where souls and music intertwine, and through the invocation of a gramophone, discovers the grim truth behind sound and sacrifice.