TOMORROW IS A LONG TIME

The New Wave style of Singaporean directors dissects the intimate and antagonistic relationship between father and son.

Pest control worker Dao-kang Dao-kang immigrated from Taiwan to Singapore to seek opportunities, but his relationship with his son Meng became increasingly tense in the crowded modern city. To break away from the vicious cycle, he decides to release a captive animal, hoping to create good karma for himself and his child. However, this decision sets off a chain of events that lead to unexpected consequences, shaping the future for Meng. When Meng returns to Taiwan for military service, he must confront his strained relationship with his father and find his place in the world.